The Oscar Buzz Episode w/ Albert Lanier
Thu Feb 05 2026
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On this edition of Parallax Views, host J.G. Michael is joined by film analyst Albert Lanier of the Final Cut Substack newsletter and podcast for an in-depth conversation on the Oscars, awards season as we approach the 98th Annual Academy Awards, and what the awards season and ceremony reveal about the film industry today. Moving beyond the usual debates over winners and snubs, the discussion explores how the Oscars function not just as a celebration of art, but as a crucial economic engine for Hollywood — shaping careers, influencing distribution, and sustaining the business of filmmaking itself.
J.G. and Albert examine how the Oscars have evolved in the years since Parasite’s historic Best Picture win, with the Academy increasingly embracing international cinema and positioning itself as a global counterbalance to an era dominated by franchise filmmaking and MCU-style blockbusters. The episode also offers a deep dive into this year’s Best Picture nominees — including Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, and Train Dreams — with particular attention paid to the political dimensions of Paul Thomas Anderson’s One Battle After Another and the acclaimed The Secret Agent, which Albert argues is the best film of the year.
The conversation also looks at the strong showing for horror at this year’s Oscars, from multiple nominations for Ryan Coogler’s Sinners to recognition for Guillermo del Toro’s Frankenstein and Amy Madigan’s Best Supporting Actress nomination for Zack Cregger’s Weapons. Along the way, Albert shares his experiences attending formal Oscar viewing events, reflects on Roger Ebert’s relationship to the Academy Awards, and explains why he approaches nominations and outcomes without cynicism or outrage — seeing the Oscars instead as a fascinating snapshot of where cinema and culture intersect at a given moment.
If you’re interested in film criticism, awards season analysis, the politics of cinema, and the future of Hollywood in a globalized film landscape, this episode offers a thoughtful and engaging look at what the Oscars really mean.
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👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ On this edition of Parallax Views, host J.G. Michael is joined by film analyst Albert Lanier of the Final Cut Substack newsletter and podcast for an in-depth conversation on the Oscars, awards season as we approach the 98th Annual Academy Awards, and what the awards season and ceremony reveal about the film industry today. Moving beyond the usual debates over winners and snubs, the discussion explores how the Oscars function not just as a celebration of art, but as a crucial economic engine for Hollywood — shaping careers, influencing distribution, and sustaining the business of filmmaking itself. J.G. and Albert examine how the Oscars have evolved in the years since Parasite’s historic Best Picture win, with the Academy increasingly embracing international cinema and positioning itself as a global counterbalance to an era dominated by franchise filmmaking and MCU-style blockbusters. The episode also offers a deep dive into this year’s Best Picture nominees — including Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, and Train Dreams — with particular attention paid to the political dimensions of Paul Thomas Anderson’s One Battle After Another and the acclaimed The Secret Agent, which Albert argues is the best film of the year. The conversation also looks at the strong showing for horror at this year’s Oscars, from multiple nominations for Ryan Coogler’s Sinners to recognition for Guillermo del Toro’s Frankenstein and Amy Madigan’s Best Supporting Actress nomination for Zack Cregger’s Weapons. Along the way, Albert shares his experiences attending formal Oscar viewing events, reflects on Roger Ebert’s relationship to the Academy Awards, and explains why he approaches nominations and outcomes without cynicism or outrage — seeing the Oscars instead as a fascinating snapshot of where cinema and culture intersect at a given moment. If you’re interested in film criticism, awards season analysis, the politics of cinema, and the future of Hollywood in a globalized film landscape, this episode offers a thoughtful and engaging look at what the Oscars really mean.