PodcastsRank #47617
Artwork for Write On: A Screenwriting Podcast

Write On: A Screenwriting Podcast

TV & FilmPodcastsTechnologyENunited-statesSeveral times per week
4.5 / 5112 ratings
Designed to help you navigate the screenwriting industry, Final Draft, interviews working screenwriters, agents, managers, and producers to show you how successful executives and writers make a living writing and working with screenplays, and how you can use their knowledge to break into the industry. Subscribe today to catch every episode!
Top 95.2% by pitch volume (Rank #47617 of 50,000)Data updated Feb 10, 2026

Key Facts

Publishes
Several times per week
Episodes
100
Founded
N/A
Category
TV & Film
Number of listeners
Private
Hidden on public pages

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Public snapshot
Audience: 20K–40K / month
Canonical: https://podpitch.com/podcasts/write-on-a-screenwriting-podcast
Cadence: Occasional
Reply rate: Under 2%

Latest Episodes

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Write On: 'The Smashing Machine' Writer/Director Benny Safdie

Mon Jan 05 2026

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Writer/Director/Actor/Editor Benny Safdie is known for defying expectations and using his sense of humor to make a splash. He even once showed up on The Tonight Show with Jimmy Fallon dressed all in silver, including painted silver hair and skin. So when we sat down with Safdie over Zoom to talk about his latest movie The Smashing Machine, we weren't sure what to expect. For this interview, however, there was no face paint or sparkly clothes, he was simply wearing a shirt that said, "Radical Empathy." Turns out there's a very important reason for the shirt. "Empathy should be cool, you know?" says Safdie. "And for this movie, I want to put you in the mind of somebody who looks invincible and you're going to feel their pain. You're going to feel what it's like to be them. You're going to be connected to them when you go in the ring. If you could be empathetic on such a deep level, where their feelings and emotions become your own, that's radical. That's a radical form of empathy. And that's what I was trying to do with the movie." Given what Safdie says, it's no secret that all great writing starts with radical empathy.  On this episode of the podcast, we chat with him about his film The Smashing Machine starring Dwayne Johnson as UFC star Mark Kerr and Emily Blunt as his romantic partner Dawn.  Safdie talks about his personal connection to boxing and MMA, why a narrative film can tell a much deeper story than a documentary, and the highly charged fighting between Mark and Dawn that took place out of the ring, and why they ultimately couldn't make their relationship work.  To learn more, listen to the podcast.

More

Writer/Director/Actor/Editor Benny Safdie is known for defying expectations and using his sense of humor to make a splash. He even once showed up on The Tonight Show with Jimmy Fallon dressed all in silver, including painted silver hair and skin. So when we sat down with Safdie over Zoom to talk about his latest movie The Smashing Machine, we weren't sure what to expect. For this interview, however, there was no face paint or sparkly clothes, he was simply wearing a shirt that said, "Radical Empathy." Turns out there's a very important reason for the shirt. "Empathy should be cool, you know?" says Safdie. "And for this movie, I want to put you in the mind of somebody who looks invincible and you're going to feel their pain. You're going to feel what it's like to be them. You're going to be connected to them when you go in the ring. If you could be empathetic on such a deep level, where their feelings and emotions become your own, that's radical. That's a radical form of empathy. And that's what I was trying to do with the movie." Given what Safdie says, it's no secret that all great writing starts with radical empathy.  On this episode of the podcast, we chat with him about his film The Smashing Machine starring Dwayne Johnson as UFC star Mark Kerr and Emily Blunt as his romantic partner Dawn.  Safdie talks about his personal connection to boxing and MMA, why a narrative film can tell a much deeper story than a documentary, and the highly charged fighting between Mark and Dawn that took place out of the ring, and why they ultimately couldn't make their relationship work.  To learn more, listen to the podcast.

Key Metrics

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Pitches sent
6
From PodPitch users
Rank
#47617
Top 95.2% by pitch volume (Rank #47617 of 50,000)
Average rating
4.5
From 112 ratings
Reviews
20
Written reviews (when available)
Publish cadence
Several times per week
Occasional
Episode count
100
Data updated
Feb 10, 2026
Social followers
135.4K

Public Snapshot

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Country
United States
Language
English
Language (ISO)
Release cadence
Several times per week
Latest episode date
Mon Jan 05 2026

Audience & Outreach (Public)

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Audience range
20K–40K / month
Public band
Reply rate band
Under 2%
Public band
Response time band
Private
Hidden on public pages
Replies received
Private
Hidden on public pages

Public ranges are rounded for privacy. Unlock the full report for exact values.

Presence & Signals

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Social followers
135.4K
Contact available
Yes
Masked on public pages
Sponsors detected
Yes
Guest format
Yes

Social links

No public profiles listed.

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Audience & Growth
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Monthly listeners49,360
Reply rate18.2%
Avg response4.1 days
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Sponsor signals
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Sponsor mentionsLikely
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How To Pitch Write On: A Screenwriting Podcast

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4.5 / 5112 ratings
Ratings112
Written reviews20

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Frequently Asked Questions About Write On: A Screenwriting Podcast

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What is Write On: A Screenwriting Podcast about?

Designed to help you navigate the screenwriting industry, Final Draft, interviews working screenwriters, agents, managers, and producers to show you how successful executives and writers make a living writing and working with screenplays, and how you can use their knowledge to break into the industry. Subscribe today to catch every episode!

How often does Write On: A Screenwriting Podcast publish new episodes?

Several times per week

How many listeners does Write On: A Screenwriting Podcast get?

PodPitch shows a public audience band (like "20K–40K / month"). Book a demo to unlock exact audience estimates and how we calculate them.

How can I pitch Write On: A Screenwriting Podcast?

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Which podcasts are similar to Write On: A Screenwriting Podcast?

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How do I contact Write On: A Screenwriting Podcast?

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